![]() ![]() ![]() The camera pans into his drawer into an area obstructed by white light, through a temporal tunnel (where the title card of the film briefly appears) and into Japan two decades later. Slumping on his chair, he laments on his lack of time, wishing for a time machine so he could plagiarize his works from the future for his present self. Dismayed, he heads back to his place, where his wife greets him and he takes a look at his sleeping children. For entire days, he isn't able to come up with anything, staying up even after his workers have returned home already. Fujio and his team are rushing for a new project that will be launched the following month, which involves a main character coming out of a desk drawer. If you do not want it to be spoiled for you, skip this section! This section contains details concerning the progression of the plot, namely its result.
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